Fuke's history
The origin of Myoan Shakuhachi dates back to the mid-9th century. In
China, the high priest Fuke (Puhua) always rang a handbell while
singing the following gatha "Shidanoge":
"If attacked in the light, I will strike back in the light. If attacked in the dark, I will strike in the dark.";
"If from all quarters, I will strike as a whirlwind does. If attacked from the empty sky, I will thrash with a flail."
(transl. Genichi Tsuge)
The arrival of Myoan Shakuhachi to Japan can be traced back to
Hotto Kokushi, the founder of Kokoku-ji Temple in Yura, Wakayama. He
visited China in 1249 and learned that the Cho family transmitted
"Kyorei" from Chosan (Zhang Can)who was the grandson of the 16th Chohaku.
Hotto returned to Japan in 1254 accompanied by four Buddhist laymen. Hotto granted "Kyorei" to Kyochiku Zenji.
Kyochiku , while meditating all night at the Kokudo Buddhist
temple on Mt. Asama, Ise Province, "realized" music which seemed to be
divinely inspired. He then composed "Koku," "Mukaiji," completing the
"San Kyorei"(Three Myoan Kyorei) today commonly known as the Myoan
classics. Kyochiku experienced a religious transformation through the
sound of the bamboo and from then on played the shakuhachi instead of
ringing a wind-bell or chanting the gatha. As such he went on begging
pilgrimages throughout Kinai (counties near Kyoto). As a consequence,
people called him the latter-day Fuke.
After his death, Tengai Myofu, a legal descendent, built a temple
in Kyoto and named it Kyoreizan Myoan-ji. Regarding the playing of
shakuhachi as a meditative practice, Kyochiku transmitted his Zen
understanding by blowing a bamboo flute instead of chanting sutras.
Source ~ https://myouan-doushukai.org/en ~